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Looking for things to do in Hendersonville, NC? Whether you’re a local or just passing through we’ve got loads of great tips and events to help you find your perfect adventure.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Join us for our annual Handcrafted Holiday Market, a festive craft market with one-of-a-kind gifts and artwork! This market will run from November 21 through December 19, and we invite you to help us open the market with our Holiday Reception on Wednesday, November 20 from 6-8pm. Guests can enjoy holiday food, drinks, and music while shopping the market. Santa will also be joining us for those wanting a picture!
Classes, Workshops, and Private Fine Art Instruction.
– – Monday & Thursday, 9-4 p.m.
John Mac Kah Studio, 122 Riverside Dr., Studio H, Asheville
(828) 225-5000, www.JohnMacKah.com
Located within the wildly-popular and botanically beautiful Southern Appalachian Mountains, The North Carolina Arboretum offers more than 10 miles of hiking trails that connect to many other area attractions such as Lake Powhatan, the Pisgah National Forest and the Blue Ridge Parkway. Visitors of all ages and abilities can enjoy their hiking experience at the Arboretum as trail options include easy, moderate, and difficult challenge levels. All trails are dog-friendly and visitors are asked to adhere to the proper waste disposing procedures for pets.
Part of a running group that would like to use the Arboretum as a starting point or parking location? Please review our Running Group Guidance and email [email protected] with any questions.
From wine and whiskey cups to flasks and goblets, the 6th Annual Vessels of Merriment exhibition at Grovewood Gallery will feature handcrafted drinking vessels by 17 potters from across the country. This ceramic invitational will kick off with an opening celebration on Saturday, November 9, from 2 to 5 pm, where guests can mix and mingle with some of the participating artists and enjoy complimentary offerings served by our friends at Metro Wines. This event is free to attend and open to the public. Vessels of Merriment will remain on view through December 31, 2024.
Pieces made from nylon fabric ripstop, which keeps tears from spreading, invite viewers into created, fantastical worlds, only to highlight the complex—even impossible—architectures of their construction. Before the pandemic, Adrian primarily focused on personal experiences and interrogations of queerness, identity, and sexuality. Since then, the work has zoomed out in its scope, still centering identity but placed in larger infrastructure and surveillance systems that mediate, manipulate, and control desire.
Adrian counts queer fiber art, BDSM and kink culture, theatre, camp horror, puppetry, and drag among his many influences. Works in RIPSTOP, like the modernist bounce house sculpture A Fallible Complex (2021), evoke spaces for play, beckoning visitors in through their alluring aesthetic and then blocking their entrance or revealing structural instabilities, like missing floors. Others, like The Sensational Inflatable Furry Divines (2017-19), use sensual materials, like faux fur, spandex, and pleather, which connect to theatrical performance and counterculture. The materials “play on people’s initial associations and serve as a gateway into greater conversations about identity construction, performance, desire, and technology,” he shares.Pieces also nod to the history of quilting, including the AIDS Memorial Quilt, another influence on Adrian’s work. “Even when pieces aren’t explicitly making quilt references, I want the history of quilting and sewing-based craft to be part of the conversation of the work,” he says. “Craft is so much about the processes and histories behind materials. It’s about connecting with communities of people who practice those techniques. It’s about material and technique being a doorway into a greater relationship with an object.”
Themes of transformation—of structures, identities, and bodies—run throughout the show. “What I love about drag and puppetry is the sense of transformation and play, specifically with bodies,” Adrian says. “Within these art forms, a body can become mutable and capable of performing and becoming in unexpected states.” The sculptures also transform throughout viewers’ experiences, going through stages of inflation and deflation and existing in many different states.
RIPSTOP’s constant interplay between surface and depth, assumption and reality, are all a part of what Adrian describes as “looking behind the curtain,” which they trace back to the theatre. “When I’m thinking about systems, and the systems desire fits into, I’m thinking of stage construction, the backstage, the things that go on behind the show, and performance of our desires,” they explain.
As a craft artist, Adrian’s philosophy “comes down to having an intentional relationship with material, process, and technique,” he says. “Those aspects of art making are just as – if not more – important than an intellectualized concept being illustrated by an artwork.”
“Broadened definitions of craft that highlight communities of practice are foundational for the Center for Craft’s new strategic direction,” explains Executive Director Stephanie Moore. “Max Adrian’s work in RIPSTOP exemplifies the expansive and meaningful forms craft can take.” The Center for Craft is an institution Adrian credits for their professional growth. “The Center for Craft has felt like such a supporting institution for me specifically and for so many other craft artists I know,” they note. “To be able to bring this amount of work to Asheville is pretty cool.”
See Max Adrian: RIPSTOP at the Center for Craft Beginning July 26. A reception will be held on August 15. RIPSTOP is organized by Houston Center for Contemporary Craft and curated by Sarah Darro.
A lively language enrichment story time designed for children ages 4 to 18 months.
Join us for a North Carolina winery tour and celebrate a date night, bachelorette party, retirement, family, or a weekend away while sampling our favorite local beverages along the way. Our standard tour includes visits to three Asheville area vineyards. With safe and reliable transportation provided, you can sit back, relax and just have fun.
Included:
Want to include specific vineyards on your Asheville wine tours? If you have “must-see” wineries in mind or want to craft a full day catered to your group’s interests, we’re always happy to create a custom experience. Reach out any time!
American Made: Paintings and Sculpture from the DeMell Jacobsen Collection features more than 100 works of art by renowned American artists. The exhibition beautifully illustrates distinctive styles and thought-provoking art explored by American artists over the past two centuries. Though many objects from the DeMell Jacobsen Collection have been on view at other museums, ranging from the Metropolitan Museum of Art and the Smithsonian American Art Museum to the Amon Carter Museum of American Art and Saint Louis Art Museum, this exhibition features the best of the collection brought together in one location. The exhibition begins with Colonial-era portraits by masters, such as Benjamin West, Thomas Sully, and Sarah Miriam Peale, and then moves on to highlight the development of mid-19th-century landscape painting. Viewers will discover works depicting the United States from coast to coast by artists, including Thomas Cole, Asher B. Durand, Jasper Francis Copsey, and even a monumental arctic scene by William Bradford.
Bill Viola’s Moving Stillness: Mount Rainier, 1979 on loan from Art Bridges is an immersive experience that explores the ideas of death and regeneration in nature. In a darkened room, sounds from nature envelop the viewer, as a placid pool of water reflects a projected image of Mount Rainier onto a screen. The water is periodically disturbed, causing the image to dissolve and slowly recompose as the pool settles. As an active volcano at rest, Mount Rainier embodies both quiet beauty and dramatic violence. Using time as both a tool and a theme in his work, Viola visualizes the dualities of nature’s rhythms of renewal, which include moments of both fragility and strength.
Ceramic artists throughout history have become masters of all four elements—creating clay from a mixture of earth and water to shape their work, drying it in air, and hardening it in fire. Throughout this process, the artist decides which aspects of the work will be tightly controlled, and when the elements can step in to leave nature’s mark. This exhibition traces the historical, stylistic, and conceptual origins of work that either embraces or refuses the element of chance in ceramics, looking at modern and contemporary work made in Western North Carolina.
The Asheville Art Museum is pleased to present Ginny Ruffner’s Reforestation of the Imagination, organized and toured by the Smithsonian American Art Museum. The exhibition imagines an apocalyptic landscape of withered plant forms that come to life when activated with augmented reality. In collaboration with animator and media artist Grant Kirkpatrick, Ruffner illuminates the delicate balance between nature and the artificial human-built world around us, putting forth an optimistic hope for the future: that technology can be a means to understand and help save the earth from environmental devastation. Visitors can download the free app “Reforestation” on their phones or use the iPads in the gallery to bring this second reality to life. When the tree rings of a stump are viewed through a device’s camera lens, a hologram of a fictional plant appears to sprout from the sculpture. These imagined fruits and flowers have evolved from existing flora, developing dramatic appendages and skills necessary to flourish in this radically different environment. In Ruffner’s fantastical reality, tulips develop stem flexibility, pears contain windows to the outside world, and flowers take on the form of birds. The installation includes Ruffner’s tongue-in-cheek descriptions of her surreal flora and their remarkable, sometimes humorous adaptations. Used as inspiration for the AR images, 19 original drawings by the artist will also be on view.
The Bicycle and Pedestrian Task Force meeting’s are on the third Thursday of the month. The meeting begins at 5:30 p.m. and is held in room A-109 at the City of Asheville Public Works Building at 161 S. Charlotte Street. You can enter the building from the north end, where the parking lot and bike rack are.
This year’s meeting dates will be:
January 18
February 15
March 15
April 19
May 17
June 21
July 19
Aug 16
Sep 20
Oct 18
Nov 15
Dec 20.
Winter Lights is a spectacular open-air walk-through light show made from over one million lights! Located at the North Carolina Arboretum in Asheville, North Carolina, this year’s event features favorites like the famously tall 50-foot lighted tree and the Quilt Garden, along with enchanting new details designed to delight and surprise. All prices are per vehicle. No pets allowed.
Winter Lights features live entertainment nightly and food and beverages from the Bent Creek Bistro, the Cocoa Shack and the Cocoa Cabin! Open nightly from 6:00 – 10:00 p.m.
Trivia Every Thursday w/ Not Rocket Science
Don’t miss your chance to check out some of the best pickers from all over WNC at our amazing Bluegrass Jam curated by the talented Drew Matulich — every Thursday starting at 7:00 pm! A real show-stopping performance only at Jack of the Wood! Open jam starts at 9:30 pm.
Virtuosic performance, theatrical humor and pop culture meet in the heart of this dynamic musical comedy team discovered by Italian tenor Andrea Bocelli. Comprising renowned violinist Brad Repp and pianist-actor Aldo Gentileschi, the duo modernizes the centuries-old European theatre tradition of Commedia dell’arte, combining clownish characters and physical comedy with impeccably played chamber music — leaving you laughing-out-loud one minute and stunned to silence by a moving masterpiece the next.
“Duo Baldo’s performance has to be seen … words are not enough to convey the subtle irony that pervades it.” — Grapevine magazine
Cocktail Hour: The Show is a lively, visually stunning night-on-the-town experience. Watch as “Manhattan,” “Martini,” mocktail “Shirley Temple,” and more spring off the menu and onto the stage in a series of dazzling vignettes. Suitable for audiences of all ages, the fun and fast-paced show transports theatergoers through time and around the world with original choreography, music, and costume design.
Creekside Taphouse Presents:
8 Beverly Rd, Asheville, NC 28805
This dance is fragrance-free (no perfume, cologne, strong deodorant, etc.), out of respect for those with sensitivities.
If this is your first time dancing with us, your second dance is free!
